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References from a broad swath of art history can be found in Freymuth-Frazier's solitary subjects. Influences range from Balthus's discomforting depictions of preadolescence, and the queen of Kitsch, Margaret Keane's "Big Eyed" children and animals, to the heavy chiaroscuro and technical rigor of Caravaggio and Rembrandt. This unique combination of classicism and pulp results in something of a hybrid between Lowbrow esthetic and Old Master technique. Cultural references spanning years can also be found in Freymuth-Frazier's work, from the Roman sculpture Sleeping Hermaphrodite, 2nd century A. Using a complex language of symbolism like that found in medieval religious icons or the Unicorn Tapestries, the paintings address universal themes such as child development, sexuality, loss of innocence, consumerism, domestication, gender roles, androgyny and body image in our society today.

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